![]() It prevents the feeling of the editor ‘being watched’ in an overbearing manner.It allows viewers to see the program monitor in ‘fullscreen’ and focus just on the storytelling of the edit.It represents the environment of an most edit suites, where people are usually gathered on sofas watching a large playback monitor, away from the editor’s desk.Many editors prefer to stream just their program monitor, rather than their entire screen showing the full NLE interface. Streaming Just Your Program Monitor, or Your Whole Screen It doesn’t contain any of the editing software’s user interface elements - it is, simply, the video and audio you see and hear on an editor’s workstation whilst they are editing. The program monitor is the clean video and audio feed showing the contents of the editing software’s timeline. Many livestream producers across various industries use the open-source software OBS to stream to Twitch, YouTube and more. For high quality livestreaming however, the encoder and destination are usually separate tools. For example, Zoom serves as both the encoder and the destination. In some cases, the encoder and destination will be rolled into one entity. Destination: this is the platform that will receive your stream and display it to your collaborators.Encoder: an encoder is used to receive your source, encode it, and stream it to your destination.In this case, our source is our NLE’s program monitor. Source: a source contains the video and audio content that is to be streamed.Livestreaming involves three main components: Contrary to popular belief, this can be done simply and affordably with minimal requirements. In this blog post, we’ll demystify how high quality livestreaming works and take a look at the ways to livestream the program monitor from Avid MediaComposer, Premiere Pro and Final Cut Pro to your creative team. In an industry where incredibly high video and audio quality is of paramount importance, pixelated and stuttering streams are simply not an option. The screen-sharing features of standard video conferencing products like Zoom and Teams are not well-suited to the requirements of the film industry, as editors who have tried to use these tools will know all too well. ![]() However, confusion still exists around how exactly to livestream edit sessions effectively and in high quality. By livestreaming their edit sessions to their team, editors can achieve the same level of collaboration as in-person working. ![]() No longer do creative teams need to physically gather in edit suites. Owing to faster workstations, ubiquitous high quality internet connections and software tools that enable livestreaming, editors are now able to work from anywhere. Editors working on all forms of content - from commercials and music videos to television shows and feature films - have for many decades collaborated in person with directors, producers and the rest of their creative team in edit suites and cutting rooms all over the world. Collaboration has always been a fundamental part of all stages of the filmmaking process, and post-production is no exception.
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